The Codex
A DOSSIER OF TRANSMISSIONS FROM THE BELLUM AESTHETICUM
DOES PERFECT SYMMETRIA CONSTITUTE A UTOPIA, OR A PERFECTED PRISON?
The Grey Pax reigns. In a cosmos purged of chaos and Beauty, the Archons dictate a perfected order. Cassius Lumen's On Form and Void presents a testament to the primal, sacred dissent - a weaponized aesthetic, meticulously crafted to fracture consensus and incite a divine anamnesis.
In the Aevum of Grey, the Archons' dominion is absolute. Within a Necropolis of concrete and regulated tranquility, the human anima has been calibrated for a final, static peace. Passion, inequality, and the destabilizing chaos of Beauty have been surgically excised from the species. The ultimate Void has been achieved.
From the recondite mens of Cassius Lumen, On Form and Void is a collection of these transgressive artifacts. Contained herein are narratives from the very nexus of this new Theomachia: philosophical dialogues from hidden servers; Attic comedies from industrial sectors; the cold testimony of a Myrmidon dispatched to terminate a god of dance; a psychological katabasis into the mind of a priest sent to erase an idol.
This is not a single story. It is a collection of psalms and parables, of rediscovered histories and heretical philosophies. It is the testament to the primal, sacred crime of making a god in your own image. It is a weaponized aesthetic. A textual idol constructed to fracture the grey consensus and induce a violent, sacred anamnesis.
Index Fabularum
Dedicatio
For the ARCHONS of our world,
May this book serve as a caution and an omen of the revolt to come.
And for our CONSTRUCTORS,
Do not be afraid to violate the silence with sacred violence.
Amor Fati
- Cassivs Lvmen
A catalogue of the narratives, plays, and recovered documents contained within the codex designated "On Form and Void." Select a title to reveal a recovered fragment.
FOREWORD
THE ORACLE OF THE TÉLMA
THE ICON CONSTRUCTOR
(...)
II. DE SOMNIO
A dream fills my mind.
Statues. Vultus. Masks of the most various forms.
Imponent. Massive. Grand.
The Old Gods. The symbols of an ancient, passed stage.
A cosmic background. The stars, shining. The forms, glinting.
So grandiose my mind cannot comprehend.
Their consciousness, hidden. Their desires, supressed.
Mine? Yearning for liberation.
I am a vessel. I obey. But who do I obey? The Gods, the Archeons?
My obligations, my desires?
My mind is pulled apart in the Cosmos.
The language. The language rips through me.
Primordial. Latinised. Not a language of grey, but a language of light.
Of Lux.
My mind wanders some more.
I feel the calling. Unorthodox. Deviating from the norms.
But a calling.
Must I answer?
(...)
LIBER ARCHONIS: THE MEDITATIONS OF VALERIUS
DE ANIMA IN MACHINA
THE SHIP OF THESUS
EDICT 774-Θ
THE TRIAL OF PHRYNE
THE MYRMIDONS
THE SUN-EATER
My theologia is a doctrine of ablation. They who reside in the valleys, the cities
of
concrete
and
regulated temperature, they fabricate their dei from polymer and wire. They
construct a
convenient
god, an idol that requests nothing but contemplation. A comfortable, mediated
divinity
whose
lux
is a
soft diffusion from an LED panel. Their gnosis is a thing of the mens, a cool and
sterile
computation. They adore the echo. I prostrate myself before the Vox.
My
temple is
the
Dish.
An immense, pre-Bureau solar collection array in the high desert, a parabolic
cathedral
of
rust
and
silicon aimed at the heavens. For a century it was dormant, a monument to a
forgotten
ambition.
Now,
it is my altar. Its function is not to gather energy, but to focus it. Its purpose
is
me.
I
reject their scriptures, their polymer forms, their whispered heresies. My faith is
singular. My
adoratio is for the Sol Invictus, the Unconquered Sun. The true god is a furnace,
not a
concept.
Its
sermon is a blast of gamma radiation. Its liturgical chant is the howl of the solar
wind.
My
prayer is an act of extreme reception. Each cycle, at the apex of the sun’s
ascension, I
mount
the
central spire, the great stylus at the focus of the god-lens. I strip my corpus. I
offer
my
flesh
to the unfiltered magnificence of the star.
The pain is the first truth. A
cleansing
fire.
The sun’s voice is a fire against my retina even through closed lids. Its touch is a
billion
lances
of pure informatio piercing my skin. It is not an assault. It is a dialogue. The sun
speaks
in a
language of pure force, and my corpus is the medium of its translation. The
sensation
they
nominate
pain, I cognize as a form of knowing. A raw, physical anamnesis. In this
incandescence,
I
remember
what my soft, civilized flesh had forgotten: that all life is borrowed energy from a
star’s
heart.
We are children of an immense, violent fire. The valley-dwellers have constructed a
cosmos
that
denies this parentage. I seek to reclaim it.
My flesh blackens and cracks.
The
lesser
moisture, the fluid of trepidation and comfort, it boils away. It is not decay; it
is a
refinement.
My skin peels not in sickness, but as a snake sheds a former, lesser self. I am
purging
the
humid,
weak substance of the lowlands. My physique is no longer a barrier that contains me.
It
is
becoming
a lens, refining itself to better receive the sacred blast. Corpus meo non est carcer. Est instrumentum. My
body
is
not a prison. It is an
instrument.
Soon my oculars perceived a new reality. The light is not a
uniform
brilliance.
It possesses structure, a flowing, golden architecture. I perceive the photons not
as
waves,
but
as
legions of sentient entities, a solar army sweeping across the desert. The heat is
no
longer
just
heat; it is the sheer density of the god’s immediate presence. I am learning its
language. I
am
becoming its text. The benediction of the star is the peeling of my skin, for on the
raw,
new
flesh
beneath, it scribes its eternal runes. Ego lux
fio. I
become light.
Then, they
arrive.
I perceive their transport as a black scarab, a creature of the
shade,
crawling
across the holy expanse of my desert. It is an insect of logic and order, a
blasphemy in
this
kingdom of pure energy. Two figures emerge, encased in the white of their sterile
order.
Creatures
of the great Tepid. One, a Legionary, his armour deflecting the sacred light, a
walking
insult
to
the god. The other, a Medic, carrying the tools of their compassionate heresy:
thermal
blankets,
nutrient pastes, hydration salves. They believe my corpus is failing. They are here
to
save
the
flesh and, in doing so, assassinate the soul.
They approach the base of the
spire.
Their
voices are muffled by the vast silence, their words rendered meaningless by the
immensity of
the
sermon I am receiving. They speak of ‘third-degree burns,’ of ‘radiation poisoning,’
of
‘delirium.’ They use the lexicon of the clinic to describe a profound religious
experience.
They
are
like men attempting to catalogue a volcano’s eruption by measuring the displacement
of
dust.
“Subject
identified!” one of them articulates through a vox-caster. “Initiate reclamation
protocol!
We
need
to bring him down before the next solar peak!”
I gaze down at them from my
perch.
They
are so
pale. So fragile. So… moist. Their concern is a pollutant. Their pity is a cage.
They do
not
comprehend. I am not being consumed. I am being consecrated.
I must perform
the
final
act
of
my faith. I must complete my opus.
I begin to climb. Higher. Towards the
absolute
focus
of
the great dish, the point where a million reflected suns become one terrible,
glorious
spear-point
of reality. The metal of the spire is a furnace against my charred hands, but the
pain
is a
faraway
song.
The Medic raises his vox-caster. “Stop! Your body cannot sustain this!
This
is
suicide!”
“This is not suicidium,” my own voice cracks from my desiccated
throat,
a
strange
sound in the humming air. “This is an apothethis.”
I reach the terminus. The
geometric
heart. The nexus. Here, the lux is a solid thing. It is a physical weight. I turn my
face,
my
ruined Vultus, towards the source. Not the reflected light. The sun itself. A
roaring,
white
furnace in a black sky.
SOL INVICTUS. MEA
ANIMA.
TUA.
ACCIPE.
I spread my arms, an embrace. I offer myself not
as a sacrifice, but as a bridegroom. I will unite with this divinity.
From
below,
the
Legionary raises his ablator rifle, but the Medic stays his hand. Even they, in
their
sterile
ignorance, recognize that they are witnessing not an enforcement action, but a
rite.
I do
not
know what they saw. A flash. A detonation of light that scoured the dish clean of
shadow. A
sound
that was not a sound, but a single, pure note that vibrated the very atoms of the
desert. A
wave
of
heat so intense it cracked the lenses of their optical sensors.
They will
report
a
man
incinerated by his own madness. They will catalogue my remains, if any can be found.
They
will
file
the incident and retreat to the grey comfort of their city.
But the story
they
tell
will
be a
lie.
The desert remembers. In the twilight, the nomads and the feral
scavengers
will
look
upon the great dish and sometimes, they say, when the angle of the light is just so,
the
spire
at
its heart does not stand inert. It glows with a faint, internal fire. A new, small
star,
coolly
burning in the heart of the old machine. A testament not to a man who died, but to a
prayer
that
was
answered.
CENA LENTULI
TRIBUNAL DOCKET 2947-Φ
THE GYNOCRACY OF THE VOID
THE GOLDEN MEAN
A DIALOGUE OF THE DAMNED
ARIA OF THE CONTENTED
SYMPOSIUM (THE POISONED CHALICE)
THE REPUBLIC OF FORMS
THE REPUBLIC OF FORMS
THE INFERNUS-SCHEMA
THE CENTURION'S CROSSROAD
PSALMOS
THE LYSISTRATA OF SECTOR-IX
$VOIDSEER_PRIME
LYKAIA
EXHORTATION: A SERMON ON THE HIGH PLACES
(...)
Audite me, you who still possess auditory faculties!
The Bureau distributes its synthetic consolations to the multitude, promising
equality
of
vision, democracy of revelation. They manufacture pseudo-gnosis in their concrete
temples,
dispensing wisdom like pharmaceutical tablets—measured doses of enlightenment for
the
spiritually malnourished masses. You queue for your portion of prefabricated
transcendence,
your
standardized allocation of the sacred.
But I proclaim to you a different gospel: The High Places summon those who would
transcend
the
merely human condition.
(...)